Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See by Jonathan Rosenbaum (Hardcover First Edition)
Published by A Cappella, 2000
Sewn-bound hardcover
First Edition
234 pages
9.5x6.5 inches
Near Fine condition. Comes in removable protective Brodart mylar cover.
“I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He’s one of the best.”—Jean-Luc Godard
“Jonathan Rosenbaum is the best film critic in the United States—indeed, he’s one of the best writers on film of any kind in the history of the medium.” —James Naremore
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can’t see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times’s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Published by A Cappella, 2000
Sewn-bound hardcover
First Edition
234 pages
9.5x6.5 inches
Near Fine condition. Comes in removable protective Brodart mylar cover.
“I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He’s one of the best.”—Jean-Luc Godard
“Jonathan Rosenbaum is the best film critic in the United States—indeed, he’s one of the best writers on film of any kind in the history of the medium.” —James Naremore
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can’t see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times’s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Published by A Cappella, 2000
Sewn-bound hardcover
First Edition
234 pages
9.5x6.5 inches
Near Fine condition. Comes in removable protective Brodart mylar cover.
“I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He’s one of the best.”—Jean-Luc Godard
“Jonathan Rosenbaum is the best film critic in the United States—indeed, he’s one of the best writers on film of any kind in the history of the medium.” —James Naremore
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can’t see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times’s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
